Post Post-Sovjet, stil og opprør: Symbolikk og subversiv nasjonalisme i Gosja Rubtsjinskijs «nye Russland»

Forfattere

  • Tora Berge Naterstad Norsk Utenrikspolitisk Institutt (NUPI), Norge
DOI: https://doi.org/10.23865/noros.v36.3694

Sammendrag

Abstract: Post Post-Soviet, style and rebellion: Symbolism and subversive nationalism in Gosha Rubchinskiy’s ‘new Russia’
This article explores the resonance enjoyed by streetwear designer Gosha Rubchinskiy among young Russians, and the extensive network that has emerged under his wings and refers to itself as ‘the new Russia’. Analysis of Rubchinskiy’s work, with Dick Hebdige’s semiotic approach as the epistemological context, supplemented by insights from Simon Reynolds, Michel Foucault and Michel Maffesoli, reveals a continuous deconstruction of the Russian regime’s hegemonic narrative of Russianness – so-called ‘Putinism’. At the same time, Rubchinskiy constructs a countercultural form of Russian national belonging, one with room to accommodate those who feel alienated by mainstream Russian nationalism. From a social science perspective, a countercultural inclusive nation-building project is in itself a paradox – so how are we to understand Gosha Rubchinskiy’s ‘new Russia’?

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Publisert

2022-10-17

Hvordan sitere

Naterstad, T. B. (2022). Post Post-Sovjet, stil og opprør: Symbolikk og subversiv nasjonalisme i Gosja Rubtsjinskijs «nye Russland». Nordisk Østforum, 36, 164–183. https://doi.org/10.23865/noros.v36.3694

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Seksjon

Fagfellevurdert

Emneord (Nøkkelord):

Russia, subcultures, fashion, nationalism, identity